Jezebel – Shooting the video. Ready, Roll and, Action!

Voodoo Rooms, Edinburgh

On a cold Summer’s morning… wait that can’t be right! Unfortunately, it is. Edinburgh in June 2012 was not the brightest of months, as any Scot will tell you. Most Scots know weather like the back of their hand. Our fair city has been likened to that of Melbourne, as recounted by Crowded House in their song ‘Four Seasons in One Day’.

Not that we needed to worry. We were shooting indoors but, when you’re carrying equipment, well frankly, anything can happen.

We drove to Edinburgh’s Voodoo Rooms, a wonderfully ornate bar in the heart of the city, which makes you feel like you’re walking onto a movie set from the roaring twenties. Tasteful overhead lighting, comfortable leather booth seats, and a real mix of shabby chic for any social reveller.

Heading home

The atmosphere was just what we needed to shoot the performance shots. We gave ourselves plenty of time to explore lighting, angles, pace, and timing especially: Markus had me walk up on stage ‘with attitude’ as I headed for the mic, put on my guitar and started to sing the song on cue.  It’s amazing how many times I performed Jezebel (probably 15-20 times) but never got tired of singing it.

A long day’s shoot finally came to an end. Tired and more satisfied with the work we’d done than the scant bottle of water and bacon buttie lining our stomachs, we waited outside the venue for the cabbie to pick us up and take us home to some delicious pizza and wine.

The other location for shooting Jezebel was a relaxed session with the band in the home studio, just kicking back and having some fun. It was great spending time with friends and us being all together again and enjoying this adventure of shooting music videos. Markus put the guys at rest thanks to his calm and reassuring manner, gave a little instruction and worked magic from the four different corners of the room. A few hours later we were finished, as was the fresh coffee jar. I was pleased.

Markus taught me early on that it is key to have as much video footage from as many angles as possible and to record as many ideas as you can because, once editing commences, there’s no going back and re-shooting that missing shot.

I also realised that some parts of the video editing process are similar to the songwriting process: you have lots of ‘pieces’  you create but are not sure where they fit into the project, if indeed at all. The only way to decide is to know the material inside out. On the songwriting side, I listen to versions of melodies, lyrics, syllables and indeed individual notes, in order to determine which version works best in context. Conversely, Markus reviews all  footage faithfully, until he knows every frame in his mind’s eye. Only then does he start to work on the video. Markus can talk much more about this than I can, so we’ll have to do an interview with him when we’re next on location and you can hear him talk directly.

I hope you enjoy the video and kick back a little yourself with the band: Harry on piano, Nick on Bass, Ewan on Harmonica, and Dave on drums.

Jezebel is released on Facebook on 26th August as a free download for 5 days only.

- Kathy

www.kathymuir.com

Ewan, Nick and Kathy

Ewan, Nick and Kath

 

When Harry met Kathy

Kathy and Harry

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Jezebel – The Recording Process

Hi-Top Mixing DeskThe worldwide release of the music video ‘Jezebel’ is due out on August 26th. The song has been recorded in different locations and in several countries over the last few years, each mix with its own style and sound. However, it wasn’t until working on ‘Sweet and Easy’ with Steve Hansen of Hi-Top Productions, that I felt the song could really have a chance of living and breathing in its own space.

Steve, a consummate musician and extremely sensitive music producer, knew what to bring to the production side of the process. Having only ever played the song in an acoustic set, my tendency was to slap the guitar into submission and belt out vocals in certain areas so as to help the soft, sassy vocal sections stand out. Steve changed all that. I learned how to play just enough guitar to help it take its place on stage and enough main vocals to let backing vocals shine.

Christopher Bright and Rory Carruthers played their drums and bass parts well from sunny California. With the backbone of the song now in place, the other instruments came easily and naturally dressed the song. You just know you need a harmonica and Wurlitzer piano on this kind of song. Steve would send the files over to Scotland as each layer was added and I would listen to the songs and prepare the vocals in anticipation for our next session. Visits to the USA were tight back in October/November, so it was clear that time was at a premium. Thankfully, much advance preparation meant that we pretty much did the vocals in one session and any questions regarding  final edits and actual arrangement were resolved in another session.

Not all songs were this straightforward I might add. The lesson here is that, to truly do a song justice, producer and artist need to see the same musical vision and have creative similarities which tie them together. This allows the core ideas to be more readily accepted and the more ‘abstract’ (i.e. problematic ideas) to be discussed in a positive environment and eventually crafted in such a way that both parties accept them. You can never talk too much about the collaborative process, its dynamic is a story in of itself!

But I will, because it’s time to go. For now.

Jezebel is released on Facebook on 26th August as a free download for 5 days only.

 

www.kathymuir.com

 

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Far From Entirely

There’s a thunderstorm raging in Stamford, CT and I realise that the rain seems to follow us Scots wherever we go, the only difference being the temperature that carries it.

This blog has been a long time coming, as has my first album ‘ Far From Entirely’. The album title is an apt one for it not only refers to my having much material still to share (we’re halfway through the second album), but is also a place in my mind to which I always wander when I work. Yes, it’s a good place, warts and all.

The last nine months have been an amazing experience. I have known Stamford over the years but more as an ‘acquaintance’. However, living here these last four months has changed all this: Stamford is, most definitely, finding a place in my heart. It not only has a feeling of space, with a forest to the north and beaches to the south, as well as a great ability for one to see the city skyline,  but the people I have met are, well, quite wonderful.

I hoped that while I was recording the album I would find some venues in which to play. Steve Hansen, the producer, suggested I go to Casey’s Tavern where a good friend of his plays at their Thursday open mic session. Richard Keith (check him out on iTunes) was so welcoming,  as were Hector, Carlos and KC & Anne. Initial shyness wore off pretty quickly.

You arrive each week, Carlos or KC & Anne set up the PA while the musicians arrive and place their guitars in the corner. Handshakes pass around in equal measures to bottles of Heineken.  The open mic musicians chat to each other at the bar or out on the street. Some tune their guitars up the alley, others have a smoke out front and life just rolls on the way it’s meant to.

Casey’s is like the favourite room in your house: you can’t wait to spend time there and chill. When you do, the craic is 90, the laughs aplenty, the time speeds by and before you know it, it’s drinking up time and you’ve sung your heart out.

Eric and Donna of The Fez Bar & Restaurant are also great people to spend time with. Seven nights a week, they put on music that is an eclectic mix of genres (jazz, alternative, blues, rock, singer-songwriter) whilst anchored by outstanding musicianship. The restaurant is somewhat of a chameleon: as the diners leave in the late evening, and the band arrives, other customers arrive to enjoy a drink at the bar and watch the musicians set up. The place feels like a relaxed night club. For a Scot far from home and a girl on her own, this place makes you feel like the only company you need is the sound of the musicians performing.

Stamford is brimming with musical talent. It’s not New York. It doesn’t have to be.

And I am happy here and the work I am producing. I hope you enjoy it too.

The cafe is closing, the storm is still raging outside and I will get drenched but that’s alright because this moment, this actual moment in time, is the best feeling in the world.

- Kathy

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Living memories

Sherwood Island State Park in Westport, Connecticut overlooks Long Island Sound and on particularly clear days you can see the Manhattan skyline. This was the setting of an early Sunday morning walk along the Park’s shoreline whilst in Connecticut for a few more days. The place was deserted.

I love trees.

As we walked past the rusting BBQ stands, the frozen puddles and the deserted picnic benches, there stood on the day’s horizon a lone tree, beautiful and bare. When I remarked upon it to my friend, he explained that this area of the park is actually home to Connecticut’s 9/11 Living Memorial. I looked across the water and vividly remembered in person the Manhattan skyline on that particular day in 2001.

On this bright Sunday morning, I felt very thankful to have been brought here, to have walked along the Park’s shoreline, walked around the actual memorial and to share a thought for all the victims.

Yes, it was a beautiful morning. It was a beautiful tree.

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iPhone and travelling

It’s been a while since my last iPhone but I have to say that the apps for musicians – and for when you’re away from home – are amazing. Therefore, I thought I would mention a few in case any of you find them useful.

Record – voice recorder  For those first ideas, this app lets you create folders and name your files within each folder. Perfect for those different versions of a song and different songs you’re working on. Plus, the playback on the iPhone is far superior to that of even a  quality digital dictaphone.

Cleartune Chromatic Tuner  Very precise and the one we use in the studio.

Ultimate Guitar Tools  Yes it has a tuner (also very good) but I use this app mainly for the Metronome and the Chords Library, the latter of which shows you not only chord variations but plays back an audio sample.

For downtime, I love using Tunein radio. 50,000 stations and counting. A friend suggested a couple of Seattle radio stations, which are pretty good.  Any Oz or Canadian or Brazilian recommendations are welcome!

Finally, I am so pleased to learn that many John Muir books are available for free on iBooks.

Guess what I’ll be doing on the next flight over to the States…

- Kathy

 

 

 

 

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Dancing in the Kitchen

I heard a final mix of Fairytale Lies. Hi Top Productions, hats off! I can’t wait for you all to hear this song as it’s a safe-bet smiler song and is sassy yet sweet (as opposed to bitter). Album production can’t come fast enough, I tell you.

Red eye flight tomorrow, so zzzz’ds are required. Thus dancing in the kitchen over for another time.

- Kathy

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Happy New Year

Hi everyone.

I just wanted to wish you all a happy 2012 :-)

- Kathy

 

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Yanna’s Song

When I was in the States back in October, I started chatting to one of the ladies serving breakfast in the hotel. Minerva had a really friendly disposition and it wasn’t long before we both found a common interest: music. When I mentioned I was going into recording studios for the first time in a while, Minerva mentioned that her niece loved to write songs. Yanna is 10 years old.

I suggested that, if and when I came back in December, I’d be happy to meet up with Yanna and perhaps hear her or help with her songs. And that was how things were left.

December came, breakfast came and Minerva came over with a smile and some fresh coffee. We chatted enthusiastically and agreed Yanna come to the hotel on Saturday at midday.

I was curious as to how this would all work out but was looking forward to it. Midday came and I walked out of the elevator, past the front desk and did a 360° turn looking for this young girl. There, in the corner of the lobby was Yanna and her aunt. I walked towards them, leaned over with a big grin and shook Yanna’s hand. ‘Pleased to meet you Yanna, I’m Kathy’. Bless her, she couldn’t say much. At first.

We walked towards the main ballroom and whilst I held my Martin travel guitar in my hand, Yanna held her aunt’s hand in her own.

We sat down at one of those huge round tables with gold chairs while men were working in the corner putting up frames, shuffling furniture and banging and crashing what I wish had been cymbals instead of rigging.

Yanna passed me an envelope with large handwriting on the front saying ‘Yanna’s Song’.  I thanked her and said I would look forward to listening to it when I got home. “So what do you like singing? “Well” she said “I hum all sorts of things and all the time. Here’s my favourite one. It’s the one that’s on the CD”.

Yanna then opened up a purple clad book and there, on the right hand side of the page, was the title ‘Fly, Fly Away’  underneath which were the lyrics. I read them quietly and thought ‘Wow, she has caring in her heart’.

“They look cool lyrics, do you think you can sing it for me?”. Yanna looked at me shyly. “I tell you what”, I said “if someone were to ask me to sing, I’d probably ask if they could look away. Do you want me to do that?”. Although she said nothing, her eyes and smile said enough.

I turned away and focussed on the men in the corner and waited for her to sing. It was a kind of X-Factor moment: you’re waiting, you’re waiting. Then the first notes rose. They gently weaved into the air and glided around so wonderfully and warmed my heart. I felt lucky to hear this wonderful moment when a child may not realise how good they are and, more importantly, can be.

When Yanna finished I turned to her and said “I’m not trying to make you feel better but you have a really nice voice and your words are good”. She seemed pleased. “Have you any other words you’ve written down?”. “Yes”, she said, as she flicked to earlier pages in her book “but these were written about five years ago, so they’re not as good”. “What, when you were five?”. I laughed and looked at the much larger writing on the pages and started to read her words. Really sweet ‘life’ lyrics.  I can’t think what I was doing at five years of age but it wasn’t that.

We talked about what we each see when we start to hum and how the next part of a melody comes to us. Yanna said she wasn’t always sure how things come to her and asked how do I do it. “Well, I just imagine I’m walking blindfolded on flat ground that is leading to a cliff edge but I know I must keep walking in the hope there’s a bridge to carry me over. Sometimes I fall and other times the bridge appears in time and carries me over. That’s when I know the next part of the song works”. Yanna smiled and we had a laugh. She really started to talk freely and I was happy.

We played with her song some more and I did small backing vocals. She would smile as she was singing. I imagine she’s not used to having her own backing vocalist :-) .

We talked some more about songwriting and words. “Singing and writing is kind of similar to what an airline pilot does: the more flying hours you put in the better you become. If you keep doing what you’re doing, which is great, then you can only get better. And,” I said, “If you’re writing these kind of words now, imagine all the other things you can to write about as you get older”.

We played another one of Yanna’s recent ‘hums’, found the chords and played the tune in three or four different styles so she could hear how varied a song can be.  We had a super time and an hour sped by.

When it was time to wrap things up I said I really enjoyed meeting her and looked forward to playing her CD. We had our picture taken and gave each other a hug. I don’t know about Yanna, but I came away feeling pretty damn energized . And I’m still humming her tune. Attached is a clip of what we did together in the ballroom but also an extract of Yanna’s CD. I hope you like it as much as I do.

Fly Fly Away

Yanna’s song

If anyone’s got a dictaphone they no longer use, let me know. I know a young girl who could put it to good use.

- Kathy

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One Step Away in the making

Click here for a link to the One Step Away music video. I don’t know about you, but I used to love trying to figure out what the lyrics meant when a great song came out. You know, when there’s a line that is just a killer, or a phrase that you just wish you’d written yourself.  I still love listening to Amos Lee’s Keep It Loose, Keep It Tight (http://bit.ly/rGb7HG). All the lyrics are crafted so well but my favourite line is ‘We all need a place we can go, over the rainbow’.

One Step Away’s main theme is inspired by the movie Beauty and the Beast by Disney (well, we all have the kid in us, don’t we). The songs were beautiful and so poignant in the movie. The concept of Beauty and The Beast, as we all know, is a simple one: look beyond face value. I only learned later about Howard Ashman, one of the two songwriters (lyricist) on the film. He died following complications from AIDS at the age of 40 in New York City shortly after completing work on the movie.

So, this is my own sense of the story, fused with childhood memories of growing up on the south side of Edinburgh.  Hopefully, you’ll like some of the lines and even more you’ll enjoy the song itself.

Thanks for reading, listening and watching!

- Kathy

One Step Away

Little girl in a street so crowded playing with her doll
Imagination wishing her away
To where the beauty is reflected by one
Who covers his face to hide the disgrace of blindness so long ago
Oh this madness creeping so slow

Young man with an eye of kindness looks through the glass
Imagination wishing she had more
Feelings are stirring she is breaking this bond
That covers his face, forgetting disgrace

I know in my dreams your light is ever walking one step
And maybe I know you were always walking with me
When you say you were just one step away

A woman in a street of childhood plays with her smile
Always the thought of how she had the strength to leave
This greying town with its suburban lords
Breaking you down till you get used to the sound

I know in my dreams your light is ever walking one step
And maybe I know you were always walking with me
When you say

A shade of history is wild
But I hoped maybe I would find a light

I know in my dreams your light is ever walking one step
And maybe I know you were always walking with me
When you say, you say

I know in my dreams your light is ever walking one step
And maybe I know you were always walking with me
When you stay one step away

 

The video was produced by Silly Wee Films with ProductionAttic. Many thanks to them for making this such a fun experience. Thanks also to The Audio Lounge recording and rehearsal studios in Glasgow for the use of their venue. Continue reading

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Sweet and Easy – Mp3 download available

Well, I have embraced technology and posted on Facebook a sneak preview of a song we finished a few weeks ago and one which is a firm favourite for the album, due out in the Spring. ‘Sweet and Easy’ was a complete labour of love and, as I mentioned in previous articles, I had far too many things to write about because they involved art, nature, special individuals and the love of all three.

I’ll write a specific piece in a newsletter in the New Year but for now read David Martin’s wonderful books ‘Evergreen Muse: The Art of Elizabeth Colborne ; Shadows of a Fleeting World: Pictorial Photography and the Seattle Camera Club’, both of which brought much of this song to life. These are both available on Amazon: http://amzn.to/vxyj8Ghttp://amzn.to/ueVzjo

Sweet and Easy taster: http://bit.ly/ufNEvh

- Kathy

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